Saturday, October 01, 2005

Portrayal of racism is so, like, twentieth century

The assimilated African-American criticizes the movie Crash:

For my money, racism (as it is portrayed in movies), is in need of an extreme makeover. I think Crash recognizes this need, but ultimately doesn’t live up to the lofty ambition of bringing new perspective to an old conversation.

Most movies present what I would call “behind-closed-doors racism,” someone closes the door, and someone else goes on a rant, “damn them ni**as did this, them ni**as did that.”

This is a progressive step from “out-in-the-open racism,” where of course, there was no closing of the door, you just yelled your thoughts right to a ni@@a’s face.

Behind-closed-doors racism is based on the premise that you can’t have the racism out in the open, because the races we’re racist towards don’t tolerate it anymore. But all of the racists still have a common bond, so in the interest of public relations, they touch base on those racist feelings after closing the doors.

But I think behind-closed-doors racism, like out-in-the-open racism before it, has lost its relevance. When seen on the screen it doesn't get you fired up like it once did. No matter how you dress it up, it's not compelling, because it’s not true to life for most people. There’s also an extra schlock factor because actors/writers/directors are so often proving their moral righteousness. Watching a character make some bone-head racist remark is the equivalent of a Maxim cover....

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